Jacques the Fatalist and His Master

Jacques the Fatalist and His Master Denis Diderot was among the greatest writers of the Enlightenment and in Jacques the Fatalist he brilliantly challenged the artificialities of conventional French fiction of his age Riding

  • Title: Jacques the Fatalist and His Master
  • Author: Denis Diderot Michael Henry Martin Hall
  • ISBN: 9780140444728
  • Page: 199
  • Format: Paperback
  • Denis Diderot 1713 1784 was among the greatest writers of the Enlightenment, and in Jacques the Fatalist he brilliantly challenged the artificialities of conventional French fiction of his age Riding through France with his master, the servant Jacques appears to act as though he is truly free in a world of dizzying variety and unpredictability Characters emerge and disDenis Diderot 1713 1784 was among the greatest writers of the Enlightenment, and in Jacques the Fatalist he brilliantly challenged the artificialities of conventional French fiction of his age Riding through France with his master, the servant Jacques appears to act as though he is truly free in a world of dizzying variety and unpredictability Characters emerge and disappear as the pair travel across the country, and tales begin and are submerged by greater stories, to reveal a panoramic view of eighteenth century society But while Jacques seems to choose his own path, he remains convinced of one philosophical belief that every decision he makes, however whimsical, is wholly predetermined Playful, picaresque and comic, Diderot s novelis a compelling exploration of Enlightment philosophy Brilliantly original in style, it is one of the greatest precursors to post modern literature.

    • Best Read [Denis Diderot Michael Henry Martin Hall] ☆ Jacques the Fatalist and His Master || [Mystery Book] PDF ✓
      199 Denis Diderot Michael Henry Martin Hall
    • thumbnail Title: Best Read [Denis Diderot Michael Henry Martin Hall] ☆ Jacques the Fatalist and His Master || [Mystery Book] PDF ✓
      Posted by:Denis Diderot Michael Henry Martin Hall
      Published :2018-06-17T17:15:43+00:00

    One thought on “Jacques the Fatalist and His Master”

    1. Master: Do you pray?Jacques: SometimesMaster: And what do you say?Jacques: I say: "Thou who mad'st the Great Scroll, whatever Thou art, Thou whose finger hast traced the Writing Up Above, Thou hast known for all time what I needed, Thy will be done. Amen."Master: Don't you think you would do just as well if you shut up?It is often too easy for me to forget that high humor and religious cynicism are not new developments within the realm of published fiction. On top of that, as much as we readers [...]

    2. So I'm sitting in my place when the door bell rings. I open the door to find a girl with chocolaty curly hair whom I never have seen before, she takes hold of my hand with both her hands imploring me to help her. Suddenly I'm a superhero and she is a damsel in distress, and so I ask her what is wrong? And she sighing and almost sobbing tells me"Tells you what?" You ask.Why do you care? It is not a story, it is supposed to be a review of Jacques the fatalist.“There is no book more innocent than [...]

    3. Jacques le Fataliste et son maître, Denis Diderot (1713 - 1784)تاریخ نخستین خوانش: هفدهم ماه نوامبر سال 2008 میلادیعنوان: ژاک قضا و قدری و اربابش؛ اثر: دنی دیدرو؛ مترجم: مینو مشیری؛ مشخصات نشر: تهران، فرهنگ نشر نو، 1386، در 358 ص، رمانهای کلاسیک خارجی، شابک: 9647443196، چاپ دوم 1387، موضوع: داستانهای نویسندگان فرانسو [...]

    4. تعرض مؤلف هذه الرواية، وهو أحد فلاسفة التنوير في فرنسا في القرن الثامن عشر، للسجن والتعذيب في "فانسين" (أبشع معتقل فرنسي آنذاك). ولولا تدخل بعض الشخصيات الهامة لربما قضى نحبه في السجن. وكل ذلك بسبب بعض الكتابات النقدية التي نشرها والتي أعلن فيها عدم إيمانه بالأصولية المسيحية. [...]

    5. For those exhausted or defeated by Tristram Shandy, here is a precursor to the postmodern novel that packs in more incident, philosophy, bitching and warm humour in its 237 pages than most modern avant-garde writers manage in a whole corpus. Jacques—the titular Fatalist—attempts to recount the tale of his “first loves” while accompanying his Master on a series of oblique misadventures that invariably end up as digressions and more digressions. All postmodern tricks—stories-within-stori [...]

    6. همین که یه کتاب قرن هجدهم برای خوندن انتخاب کنید که اسمش بنا بر شرایط همون دوره به جای " ارباب و ژاک قضا و قدری " باشه " ژاک قضا و قدری و اربابش" نشون میده که با کتابی تا چه حد سنت شکن و بدیع طرف هستید. کتابی که گذشت قرن ها ، بی همتاییش رو از بین نبرده. کتاب ، با داشتن المان هایی مثل ند [...]

    7. It’s not that I know anything much about it first hand either as practitioner or as one who consumes the stuff so my diagnosis and treatment regimen are entirely oblique. But you know it is not so uncommon to hear the compliant about MFA=prose. Like I said, I don’t really know what that means because I a) don’t have an MFA b) probably don’t read people with MFA’s c) read lots(some?) of folks who teach MFA’s d) but don’t find anything particularly MFA-ish about them ; most oddly it [...]

    8. It may be your destiny to read and adore the pithy wit of Diderot. At a time when the novel was new as a genre as a contemporary of Sterne and Richardson, Diderot confronts the religion and philosophy of his day entrenched in the idea that man's fate was written on a scroll on high and that man only acted out a bit part devoid of real choice in his slavery to destiny. Pre-destination did not sit well with Diderot and Jacques is the novelist in this "dog's breakfast" he has served up railing agin [...]

    9. Nemam reči da opišem koliko volim Didroa i koliko je on kul lik (najveseliji od svih prosvetitelja, najprosvetiteljskiji od svih veseljaka), ali baš toliko je kul i ova njegova knjiga: pametna, zabavna, vrcava, lukavo-šaljakava, seksi, subverzivna, puna narativnih trikova i zavrzlama a opet pitka i čitka - toliko da bih pola dijaloga sluge i gospodara, ili svađa pisca sa čitaocem, prepisivala da im se svi divimo. <3

    10. Diderot, it is a name less prestigious than Rousseau and Voltaire. We think of the Encyclopedia, some erotic novels well done (the libertins novels of XVIII ° are often boring). His tomb is not even in the Pantheon, contrary in two others.And then there was Kundera. And Kundera worships him. So I'm obliged to interest to him. Diderot was in jail for his ideas. To escape the censorship, he split up his writings. Paradoxically, I think that Diderot remains to discover.Thus Jacques the fatalist. W [...]

    11. Perfection. Self-consciously Shandian-spawn, which is one of the best things a book can be, with a wit and intelligence that is still simply staggering. I have read it twice, but for some reason nothing else of his. Will have to rectify this omission asap.

    12. بهتره درباره نویسنده چیزی نخونید و بعد از تموم کردم کتاب مشخصات نویسنده رو ببینید. اون وقت هست که حسابی متعجب می‌شید وقتی می‌فهمید این کتاب رو یه نویسنده قرن هجدهمی نوشته. اگر اهل خوندن کتاب‌های ایتالو کالوینو بوده باشید احتمالاً نوع نوشتار و زبان راویان کتاب شما رو یاد کتا [...]

    13. well, yes, it is sort of a one joke story- but the joke is philosophical, comic, endlessly applied, and he does tell it very well. this book can seem maybe too discursive, too talky, but then that is the point. i read the intro after the text, i try to come to this knowing as little as possible about Diderot, to better appreciate the novelty, the comedy. i have read Cervantes, so i guess i should now read Sterne maybe also The Nun

    14. Le MaîtreAh malheureux! ah! coquin! Infâme, je te vois arriver.JacquesMon maître, je crois que vous ne voyez rien.Le MaîtreN'est ce pas de cette femme que tu vas devenir amoureux?JacquesEt quand je serais devenu amoureux d'elle, qu'est-ce qu'il y aurait à dire? Est-ce qu'on est le maître de devenir ou de ne pas devenir amoureux? Et quand on l'est, est-on maître d'agir comme si on ne l'était pas ? Si cela eût été écrit là-haut, tout ce que vous vous disposez à me dire, je me le sera [...]

    15. به سختی میشه اسم داستان روش گذاشت. ماجرای ژاک و اربابشه که در یه سفر بی مقصد، با هم دیگه از هر دری (و بیشتر، از خاطراتشون) حرف میزنن و از این خاطره به اون خاطره میپرن. حالت فراداستانی خوبی داشت، نویسنده گاهی با خواننده ها گفت و گو میکرد و از قول خواننده ها هم جواب خودش رو میداد و ج [...]

    16. یک رمان بدیع، فوق العاده خوشخوان و تا حدی عجیب. گفتگوی دو شخصیت پیرامون زندگی در حین یک سفر از گذشته فضاسازی داستان های زیادی رو تشکیل داده و داستان دنی دیدرو هم در چنین چارچوبی روایت میشه؛مقصد سفر در مسیر داستان اهمیت چندانی نداره و سفر اصلی ، در سفر به گذشته ژاک، ارباب و بقیه [...]

    17. I'm too distracted to read this in French, since Sophocles is still giving me fits and, well, I do have a life. Besides, the translation I'm reading is wonderfully brisk and colloquial. How can you not love a novel from 1780 that begins with this Beckettian up-yours?:How had they met? By chance, like everybody else. What were there names? What's it to you? Where were they coming from? From the nearest place. Where were they going? Does anyone really know where they're going?I don't want to jinx [...]

    18. شاهکار و بینهایت عالی دیدرو استاد سر کار گذاشتن خواننده‌ست.

    19. توی روزگاری که همه‌مون دنبال مفرّی هستیم تا به نوعی، با «تر» شدن بین بقیه محبوب بشیم، سر و کار داشتن با آدم‌هایی که بی‌هیچ دغدغه، فقط و فقط خودشونن و خودشون، اصلا چیز کمی نیست. کسایی که نه خیال دارن دوست‌داشتنی‌تر جلوه کنن، نه بافضیلت‌تر، نه مهربون‌تر، نه زیباتر، نه و نه و [...]

    20. As soon as I read the opening of this book I knew I was in a completely different world to all the other 18th century novels I've read recently:"How had they met? By chance, like everybody else. What were their names? What's it to you?Where were they coming from? From the nearest place.Where were they going? Does anyone really know where they're going?"After 900+ pages of convoluted prose from Fanny Burney, this was like a bracing dive into the Loire. But it would not be true to say that it stan [...]

    21. یک رمان فلسفی جذاب که خیلی راحت خواننده را تا انتها به دنبال خود می کشاند. آنچه نظرم را بسیار جلب کرد این بود که حرف های فلسفی که دیدرو بسیار هنرمندانه در دهان ژاک قضا و قدری میگذارد، به دلیل ساده بودن شخصیت ژاک به عنوان یک نوکر که سخت هم به قضا و قدر معتقد است، معمولا مفاهیمی چن [...]

    22. یکی از اثار کلاسیک برجسته ای که به انها که حتی کلاسیک خوان نیستند میتوان با اطمینان توصیه کرد :)داستان ژاک و اربابش خواننده رو دنبال خودش می کشاند با اینکه از همان ابتدای داستان خواننده می تواند حدس بزند که قرار نیست داستان عشق و عاشقی ژاک را بخواند اما کاریزما قوی دو شخصیت داس [...]

    23. اين اثر در قرن هيجده توسط دني ديدزو نگاشته شده كه وي در اصل يك دانشمند و دايره المعارف نويس بود.در اين نوشته با حكايت هاي كوتاه فراواني روبرو هستيم كه توسط شخصيت ها توصيف مي شود، مسئله قضا و قدر و اختيار انسان به كرات در اين كتاب مطرح شده است. قسمتي از كتاب: ارباب جان آدم نمي داند [...]

    24. Diderot, my end-notes tell me, was strongly influenced by Laurence Sterne in setting out to write "Jacques The Fatalist". Having already written a story called "Ceci n’est pas un Conte", his lack of interest in novelistic verisimilitude is clear and the author's voice is an additional character, constantly interrupting the characters on the page (who are already constantly interrupting one another) to tell us that none of this is true and he can change everything at any time, so don't get too [...]

    25. کتاب شرح سفر ژاک -که معتقد است هر چیزی که رخ می‌دهد، آن بالا نوشته شده است- و اربابش است که در خلال این سفر چندین داستان و ماجرا از زبان شخصیت‌های مختلف کتاب، به ویژه ژاک که عاشق حرف زدن -و در مقابل اربابش عاشق داستان شنیدن است- گفته می‌شود. در کتاب چندین داستان بصورت پراکنده و ب [...]

    26. I read this first when I read Kundera's "Jaques and His Master"(1971) and his higly recommendation on Diderot. Without Kundera's description on Diderot's work, I was possibly not able to get the esense of this magnificent work."دنیس دیدرو" کتاب مشهورش "ژاک قدری و اربابش" را در بحبوحه ی انقلاب (فرانسه) نوشت و منتشر کرد. شخصیت این رمان نه قصد "تغییر" دارد و نه پاسخی برای هیچ معضل اج [...]

    27. کتاب خوبی بود، صحبتهای راوی با خواننده رو دوست داشتم، داستانهای تو در تو و جالبی داشت. از اون کتابهایی که باید یک نفس خوند.

    28. ژاک قضا و قدری و اربابش کتابی ست با یک سبک متمایز در نگارش رمان (؟) با فضایی منحصر به فرد که در قرن هجده شاید یک سنت‌شکنی اساسی بوده است. داستان با سه شخصیت اصلی پیش می‌رود. ژاک، اربابش و راوی! حتی می‌شود با کمی اغماض خواننده را هم یکی از شخصیت‌ها به حساب آورد. داستان‌هایی تو در [...]

    Leave a Reply

    Your email address will not be published. Required fields are marked *