L’opera da tre soldi

L opera da tre soldi Rappresentata per la prima volta a Berlino nel L opera da tre soldi la pi ce che ha garantito a Brecht il maggior successo in tutto il mondo anche grazie alla congeniale e graffiante musica di

  • Title: L’opera da tre soldi
  • Author: Bertolt Brecht Emilio Castellani
  • ISBN: 9788806173319
  • Page: 272
  • Format: Paperback
  • Rappresentata per la prima volta a Berlino nel 1928, L opera da tre soldi la pi ce che ha garantito a Brecht il maggior successo in tutto il mondo, anche grazie alla congeniale e graffiante musica di Kurt Weill Il dramma in un prologo e tre atti, in cui al dialogato si alternano famosi songs si rif all Opera del mendicante The Beggar s Opera, 1728 dell inglese JoRappresentata per la prima volta a Berlino nel 1928, L opera da tre soldi la pi ce che ha garantito a Brecht il maggior successo in tutto il mondo, anche grazie alla congeniale e graffiante musica di Kurt Weill Il dramma in un prologo e tre atti, in cui al dialogato si alternano famosi songs si rif all Opera del mendicante The Beggar s Opera, 1728 dell inglese John Gay, parodia del melodramma e vivace rappresentazione della malavita londinese del Settecento Conformemente al suo modello letterario, Brecht intende mostrare e sottolineare con L opera da tre soldi l impressionante analogia fra lo spietato mondo della malavita e il non meno spietato mondo degli affari.

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    One thought on “L’opera da tre soldi”

    1. First performed in Berlin 1928 this play had been initially received poorly, but went on to great success, by 1933, when Brecht was forced to leave Germany by the Nazi seizure of power, the play had been translated into 18 languages and performed more than 10,000 times on European stages, quite an accomplishment. The play offers a socialist view of Capitalism and takes place in London centering on one Jonathan Peachum who happens to be the boss of beggars. With the help of his wife he enrolls a [...]

    2. With the "Threepenny Opera", Brecht unintentionally undermined his own poetic concept of the "epic theater" by having Kurt Weill compose some of the most stirring songs ever written in German. Brecht's theatrical concept was to turn away from illusion and immersion and to confront audiences with political realities and then discuss them dialectically in the course of the play - i.e he wanted his audience to leave the theatre not entranced, but full of new awareness. So while the texts of the "Th [...]

    3. انسان با چه زندگی می‌کند؟ بی‌وقفه در حال شکنجه کردن، محروم ساختن، تکه پاره کردن، بریدن سر و دریدن انسان است.انسان تنها در فراموشی زندگی می کند و بی وقفه فراموش می کند که انسان است.

    4. As a hardcore boho 'Beat' kid, I was raised with the soundtrack of Kurt Weil/Bertolt Brecht's "Threepenny Opera." In fact, Lotte Lenya was probably the first singing voice I heard after my Mom - who used to sing to me when I was a little child.Many years later I read the play/musical and was taken back at its cynical look in how society works. It's an amazing piece of theater and the music is and will always be superb.

    5. در «اپرای سه پولی» که نام نمایشنامه­ ای از برشت است. برشت به جامعهء بورژوازی می­تازد، و با اشعار شیطنت آمیز و سلاح تمسخر به همهء آنها توهین می­کند. ا. شربیانی

    6. Duro, spietato e allo steso tempo ironico e surreale. E' la vita del sottobosco umano, in cui il più sano ha la rogna Forte la messa alla berlina della società dell'epoca, sono curiosa di vederlo rappresentato a teatro.

    7. Clubbed me over the head with it's ideology. Headache.(Die Subtilität geht solange zum Theater, bis sie Brecht.Das Brecht auf Meinungsfreiheit.Aua, aua, mein Kopf.)

    8. Was soll man zu solch einem Klassiker groß sagen, wenn man keine ausführliche Rezension schreiben will, es ist halt die Dreigroschenoper und allein vom Personal her schon ganz wunderbarer Stoff für Krimileser. Aber das Stück gehört halt auf die Bühne, das Lesen ist fein, aber im Theater macht es mehr her. Rein zur Lektüre bleibt ja da noch der Dreigroschenroman.

    9. English translation of a German play about bourgeois criminals, entertaining hybrids, middle management dressed in gutter rags. It was originally put on just before WWII in a Berlin dancing decadently on the edge of the abyss, and is in some ways apt for the current (Jan 2009) bankrupt America I live in today. I sincerely hope our current decline is not as brutal, nor our fall nearly as hard. Perhaps there is a prayer in reservation, some old medicine that might ward off the approaching reckonin [...]

    10. 2/10. I understand that this is one of the Great Masters of Theatre. I learned in class that Brecht made a tremendous impact on theatre and started his own theatrical tradition. I also learned that the whole signs-device and didactical bits were very novel in his time. But it really, really disappointed all of my expectations. I even saw it live and it definitely was a flop. It did not deliver on any of the promised scandal or excitement. The musical pieces were random and did not add much. The [...]

    11. This play with the fun poems and songs and the colorful characters was really enjoyable to read even in translation. This play would be really enjoyable to catch in a theater. Written in 1920s Weimar Germany and set in Victorian England among demi-monde scenes of performers, low lifes and cut throats it is a really entertaining play with a leftish political message. A lot of fun.

    12. I have to say that this is one of the greatest things I have ever read. It is a play that is a fantastic reflection on the gutterly people that inhabit every city, and it shows a compassionate, entertaining reflection of them that criticizes the bourgeois and those in power. I think it also correctly showcases the true monster that is the human man. I think that, no matter what the man we are talking about, we all have the spirits of Mackie and Peachum buried somewhere in our hearts. This is a d [...]

    13. Take the first chance you can to attend a performance of this fabulous operetta with words by Bertolt Brecht and music by Kurt Weil. It is one of the greatest works written for the stage in the twentieth century. Performers of even the most modest talent always seem able to rise to the occasion and delight the audiences.My mother who saw the great Jerry Orbach perform in it in 1955 during its intial Broadway run was still talking about it fifty years afterwards. For my part I like to tell people [...]

    14. When I read this I was already familiar with both Kurt Weill's music and the original Gay's Beggars' Opera that was inspiration for Brecht. The street life with characters like MacHeath and Jenny comes alive in Brecht's drama. Weimar culture was home to many artists who challenge both tradition and the conventional view of life. Inspired by their imagination and the political-economic upheaval that was taking place in this era artists like Brecht and Weill were changing the nature of theater and [...]

    15. It took me about two days to finish Bertolt Brecht’s The Threepenny Opera, something I could have done even sooner had it been a pure dramatic piece. It’s not, as most will know — it’s a musical, and as such, it was necessary for me to listen to every song that I came across. I wanted a feel for Kurt Weill’s compositions and how he came to approach each number, and fortunately I found plenty to enjoy in that respect. From the opening, familiar strains of “Ballad of Mac the Knife” t [...]

    16. L'Opera da tre soldi e' il pezzo che ha portato alla celebrità Bertolt Brecht. Rappresentata per la prima volta a Berlino nel 1928, e' ispirata alla "Beggar's Opera" (1728) dell'inglese John Gay e mette in scena il mondo del sottoproletariato, dei banditi e dei derelitti della Londra contemporanea all'autore con intenzione palesemente provocatoria nei confronti del pubblico borghese. Strutturalmente si compone di un prologo e di tre atti, a loro volta suddivisi in tre episodi. All'interno i dia [...]

    17. المجموعة : مــدد مـدد يـاأهــل الـخـطــوة يـــا أهـــــل الــكــرامـــة والـحــــظــــــوةالــمغـنــى : أبـو مـطـوة زعيم الحرامـيــة ســلـــطــان زمــانــــه ولــــه أنـــصـــــارانـصاره جـنس لومـانــجـيـة عـــفــاريــت عــنـيــهــا تــطـق شـــــرارأبــو مـطوة كل [...]

    18. Mack the Knife, as performed by Louis Armstrong.I'd never heard of The Threepenny Opera, Bertolt Brecht, Lotte Lenya, or Sweet Lucy Brown, so I have to thank The Dog's Bollox for that. I was only passingly familiar with Louis Armstrong's Mack the Knife - which is to say, not familiar at all.I talked to my dad about the song, and he said he only really listened to the Bobby Darin version, but didn't understand half the song. Certainly the song makes more sense if you know who Macheath is.Having r [...]

    19. There are so many things running through my mind now, as I am writing this review. I have never been so uncertain about a rating ever. In a moment, I want to give it 2 stars, then I wanna give it 5, then ah, insane.First of all, I have to admit that I have heard the music score a long time before actually reading the play. And I love it. The melodies, the rhythm, the lyrics ah. And then, I have actually seen it on stage a bit later. And now the play. My own memories fight with each other. Like, [...]

    20. Yes, I only watched the movie, but the adapted play is out of print and it was way too good not to write a review on it.I came across The Three Penny Opera in the nerdiest way possible. Yup, the comic route. The most recent volume of Alan Moore's League of Extraordinary Gentlemen has beggars and prostitutes belting out heart-wrenching opera of cutting morality and justified anger.This isn't the first time Moore has led me to fine literature/stage work. After reading the first two volumes of Leag [...]

    21. The Threepenny Opera is a play I went to see in October/November of 2012. I instantly fell in love with it, and had to read the script.Macheat - better known as Mac The Knife - marries Polly Peachum, the daughter of the King of the beggars, Mr Peachim. Mac is a man that has several sentences on him, but they never have enough evidence to cash him in, and with him marrying Mr Peachums daughter and all, Mr Peachum sees it as his task to get Mac hanged. However, he meets obstacles on his way when i [...]

    22. الأوبريت نوع من المسرحيات الغنائية كان محبوباً في الفترة بين أواسط القرن التاسع عشر حتى العشرينيات من القرن العشرين الميلادي. تطور الأوبريت من الأوبرا الهزلية الفرنسية ولكنه يختلف عنها في أنه يحتوي على حوار كلامي بدلاً من الحوار الغنائي، وعلى أغاني بدلاً من ألحان. وغالباً [...]

    23. Oy. I know. I basically stopped reading in November. That isn't the case though. I was reading a few other things but had tons of work to do (fucking end of semester!). Anyway I read this play quite quickly. I enjoyed it a lot. Our final full reading assignment for my arts and ideas course. It illustrates Weimar Berlin to a tee and also taught me a lot about the German anti-illusionist theater. I love the whole concept, I am even considering joining our German theater troupe next year so I can a [...]

    24. Bertolt Brecht's The Threepenny Opera is utterly brilliant, a brilliance you notice on the first page all the way to the last page. Its characters as whimsical as they are feel just as real as a person walking down the street. The Threepenny Opera has layer after layer of moral and political points of view that I could spend hours going into but its most prominent moral insight is that although Mackie the knife; thief, murder and crime lord, is eventually caught for his crimes. A character born [...]

    25. Known (i suppose) more for the creation of mack the knife (later to become a popular song) and brecht for his art; this has much more to offer than at first appears. It can be brutal and as damaging as life could be then but tis' not without its humanity from unlooked for sources. Its nature is shocked and dirty much as any dickens novel could be seen from the outside. Harshness then was just a fact of life and brecht saw it as such. An arbitary force from heaven sent to make us all need redempt [...]

    26. اپرای سه پولی، در شکل اولیه، یک موزیکال است. برشت این نمایش نامه را بر مبنای یک اپرای انگلیسی نوشته که داستانش در دوران ویکتوریا در لندن اتفاق می افتد. ماچس علیرغم مخالفت "پیچام" که یک باند گدا را در لندن اداره می کند، با دختر او "پولی پیچام" ازدواج می کند. آقای پیچام از تمام قدرت [...]

    27. "Ihr Herrn, die ihr uns lehrt, wie man brav leben/Und Sünd und Missetat vermeiden kann/Zuerst müßt ihr uns was zu fressen geben/Dann könnt ihr reden: damit fängt es an./Ihr, die ihr euren Wanst und unsre Bravheit liebt/Dies eine wisset ein für alle mal:/Wie ihr es immer dreht und wie ihr's immer schiebt/Erst kommt das Fressen, dann kommt die Moral./"Was mir an der Dreigroschenoper so gut gefallen hat, ist, dass sie nicht (nur) von Recht und Unrecht handelt, sondern vor allem auch von den C [...]

    28. If "Oliver Twist" were reimagined by Tim Burton, you would get the savage satire of "The Threepenny Opera." Easily one of the greatest musicals ever written both onstage and as a piece of literature, Brecht and Weill's fierce, nihilistic humor depicts a world, only slightly exaggerated from our own, where everything from human suffering to the coronation of the Queen is monetized, rigged and profiteered. It's a man's world in which women learn to wield power by manipulating men, and where men fe [...]

    29. Can you believe that I read a book that had absolutely nothing to do with food or the old "how to be a better woman for my man" books that I can't seem to stop laughing at (and giving my female friends "advice" from)!? I know that I can't!I picked up this book at Small World Books in Rochester, NY while on a trip that I made out that way specifically for used book shopping. Admittedly, I only purchased it because I knew that two songstresses that I rather adore (Nellie McKay and Cyndi Lauper) ha [...]

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