New Orleans Sketches

New Orleans Sketches In William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans He had published a volume of poetry The Marble Faun had written a few book

  • Title: New Orleans Sketches
  • Author: William Faulkner Jane Weissman
  • ISBN: 9781578064717
  • Page: 225
  • Format: Paperback
  • In 1925 William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans He had published a volume of poetry The Marble Faun , had written a few book reviews, and had contributed sketches to the University of Mississippi student newspaper He had served a stint in the Royal Canadian Air Corps and while working in a New HIn 1925 William Faulkner began his professional writing career in earnest while living in the French Quarter of New Orleans He had published a volume of poetry The Marble Faun , had written a few book reviews, and had contributed sketches to the University of Mississippi student newspaper He had served a stint in the Royal Canadian Air Corps and while working in a New Haven bookstore had become acquainted with the wife of the writer Sherwood Anderson.In his first six months in New Orleans, where the Andersons were living, Faulkner made his initial foray into serious fiction writing Here in one volume are the pieces he wrote while in the French Quarter These were published locally in the Times Picayune and in the Double Dealer.The pieces in New Orleans Sketches broadcast seeds that would take root in later works In their themes and motifs these sketches and stories foreshadow the intense personal vision and style that would characterize Faulkner s mature fiction As his sketches take on parallels with Christian liturgy and as they portray such characters as an idiot boy similar to Benjy Compson, they reveal evidence of his early literary sophistication.In praise of New Orleans Sketches, Alfred Kazin wrote in the New York Times Book Review that the interesting thing for us now, who can see in this book the outline of the writer Faulkner was to become, is that before he had published his first novel he had already determined certain main themes in his work In his trailblazing introduction, Carvel Collins often called Faulkner s best informed critic, illuminates the period when the sketches were written as the time that Faulkner was making the transition from poet to novelist For the reader of Faulkner, Paul Engle wrote in the Chicago Tribune, the book is indispensable Its brilliant introduction is full both of helpful information and of fine insights We gain something than a glimpse of the mind of a young genius asserting his power against a partially indifferent environment, states the Book Exchange London The long introduction must rank as a major literary contribution to our knowledge of an outstanding writer perhaps the greatest of our times.

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    One thought on “New Orleans Sketches”

    1. Well slap me silly and call me a Philistine. I just don't get Faulkner. I am amazed that these short sketches were published in a newspaper. I suppose that people were more literate in the 1920s. I am spending a month in New Orleans working on my own book and decided that it was absolutely necessary that I read something of Faulkner. I tried once with The Sound and Fury and gave up He any Hemingway were contemporaries and supposedly changed American literature, particularly the novel. I get Hemi [...]

    2. All color and no substance. Picked up these sketches from earlier in Faulkner's career because I visited New Orleans and fell for the tourist trap that is the house he stayed in for a few months: the so-called "Faulkner House" which he neither owned nor occupied for longer than a year.Like the house named for him, his sketches have only a superficial relationship to New Orleans. He is overly clever in his descriptions, and comes across contrived, like a 1920s William Gibson. Many of the stories [...]

    3. Meritevoli racconti di un giovane Faulkner.Piacevole edizione de Il Saggiatore.Ma, con tutto il rispetto, il costo per pagina è da Premio Nobel non da scritti giovanili.

    4. New Orleans Sketches is comprised of sixteen vignettes Faulkner wrote in 1925 while living in the French Quarter of New Orleans. These pieces were published locally in the Times-Picayune and in the Double Dealer, and Carvel Collins, one of the first academics to recognize Faulkner as a major literary figure, collected the sketches into this book in 1958. “Sketches” is the most appropriate word to describe the pieces. These are not complete stories. Some of the sketches are more developed tha [...]

    5. It's interesting to read what kinds of characters Faulkner finds interesting in New Orleans. I was especially interested in the final short story in this compendium. The last story illustrates a cross-cultural expedition to bury a callously murdered Chinese member of a ship. Also featuring prominently in these stories is contraband alcohol. The stories are experiments in writing and as such are not entirely satisfying, however, Faulkner was paid for them and they appeared in the Times-Picayune, [...]

    6. Faulkner moved to New Orleans in 1925 at the age of 27 determined to write fiction. Up to then he fancied himself a poet. During his six month stay in New Orleans he published a group of "sketches" with the main New Orleans literary magazine, The Double Dealer. He also sold sixteen signed stories and sketches to The Times-Picayune.Faulkner spent a portion of his time in New Orleans "sauntering in the Quarter and along the Mississippi River docks, and sitting at cafes and in Jackson Square" with [...]

    7. My first introduction to Faulkner beyond "A Rose for Emily." I got this book at the Faulkner House Bookstore in New Orleans, which is in rooms that Faulkner actually lived in while in New Orleans. I've been thinking about tackling a Faulkner work for awhile now, and this seemed like a good way to dip in the kiddie pool before taking on one of his novels.I was not disappointed--his manner of plopping you right down in a scene took me a little while to get used to, but his writing was so vivid, an [...]

    8. I've never been a great Faulkner fan, but I'm a fan of New Orleans. I purchased this book from Faulkner House Books, located where Faulkner lived in NOLA briefly while writing many (all?) of these passages. I felt it was the perfect literary touristy purchase and began reading it while I myself was staying in the French Quarter.For the descriptions of New Orleans itself, I often found myself smiling softly as it brought on such clarity and thoughts of "why, this is perfect." But for the longer p [...]

    9. "He knew stark and terrible fear. His gun leapedto his shoulders and roared and flamed in the dark-ness, and the lion or whatever it was plunged bel-lowing away into the night. He could feel sweatcold as copper pieces on his face and he ran towardthe haystack and clawed madly at it, trying toclimb it. His fear grew with futile efforts, thencooled away, allowing him to mount the slipperything. Once on top he felt safe, but he was cautiousto place the shotgun close to his hand as he lay onhis bell [...]

    10. Early works that illustrate what great works would come after. also interesting to see the noir/ crime feel that is not always as surface in his novels as it is here.There's nothing wrong with the collection; its historical significance is noteworthy, and it affords the reader a glimpse into the culture and people of New Orleans. There are some vestiges of the literary zeitgeist of the time: some non-pc terms for race, culture and handicap. Overall, this book is important for Faulkner completist [...]

    11. mixed bag of faulknerian vignettes showcasing faulkner's talent for atmosphere and situation. nothing terribly plot-driven here. some interesting characters. the kind of book that reminds you how much fun writing can be when you aren't aiming for anything in particular except to play with language and voice. i'm very come-and-go with faulkner. i always like his shorter stuff; the longer works tend to tire me out. so if you are on the fence, this might be a good introduction/orientation toward ac [...]

    12. This is a book of short works by Faulker,when he first became a fiction writer during his time in New Orleans in the 20's. His very short articles for a local newspaper are not my favorite, but the slightly longer pieces bring to mind the Faulkner that I love. His writing very much makes me think of pieces that I read, written by my Grandpa who studied to be a writer and journalist in the South in the 20's.

    13. These sketches were Faulkner's first attempts at fiction writing, undertaken while he lived in the French Quarter - he was only 27 or so when he wrote the pieces in this book. Frankly, the stories are weak. But this is essential reading for any Faulkner fanatic - it's here that he is crafting the early prototypes for characters such as Benjy (The Sound and the Fury) and Lena Grove (Light in August).

    14. These were interesting little sketches, having to do with New Orleans and the characters who live there. The lengthy introduction gives a great introduction to Faulkner and his personal history. The vignettes are a little hit or miss, but they are definitely worth reading for the Faulkner fan. I thought it was fascinating to watch his use of dialect and voice develop. The standout story for me was definitely "The Liar". Read that without laughing, I dare ya.

    15. These are sketches written early in Faulkner's career. I bought the book when I was in New Orleans. He lived a little house there, in the French quarter. This house is now a bookstore. The sketches are really just sketches--short snapshots of characters, happenings, and places around New Orleans--a must read for any Faulkner fan.

    16. Faulkner wrote these short pieces while working as a journalist in the Big Easy. They came to life for me when, as a teenager, I spent a week with several other literate teenagers in New Orleans, in a rented room in the French Quarter. These are vivid pictures from a certain era, long ago.

    17. Fascinating to see Faulkner's early work. His prose was often much leaner, more akin to Hemingway than, say, future Faulkner. I bought this book in New Orleans at Faulkner House Books, which sits in the apartment that Faulkner rented way back in the 1920s. Very glad I stumbled upon it.

    18. I really wanted to like these short stories -- this is a book that my mother bought for me at Faulkner House Books in New Orleans. The stories were published during Faulkner's early career, originally as newspaper articles.

    19. When we bought this book at the former New Orleans hotel where he wrote it I thought of it as a souvenir. I was pleasantly surprised to enjoy it so much. The short stories stand alone. Faulkner brings to life different voices in each one. Perfect for a quick read every night before bed.

    20. The New Orleans theme/s caused me to ramp up what would have otherwise been a 3.5 star rating. The sketches were interesting, but I liked the short stories included in this edition better. This could be the year I dive deep into Faulkner.

    21. This is a slight book but enjoyable for Faulkner fans and people interested in New Orleans in the 20s and 30s. If you like Faulkner, it's a nice scene setter for a lot of his later themes. That said, it's still a slight work by a person who is still finding their feet as a writer.

    22. These short pieces are amongst some of Faulkner's earliest publishings.They're a nice glimpse of the city in the 1920s and also of the novels to come.

    23. Love Faulkner, but short stories and "sketches" really aren't my thing. I like more plot, more character development.

    24. This book is excellent. It's a compilation of stories published in the NOLA newspaper, and is a great introduction to Faulkner.

    25. No aika epätasaisia tarinoita. Parhaimmillaan kuvatessaan asuinymmpäristöään New Orleansia ja pieniä yksinkertaisia ihmisiä.

    26. Early Faulkner from his time in New Orleans. Gives a wonderful view of the cityny of these sketches hold true today. Originally published as a series of articles in the Times-Picayune.

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